Friday, November 4, 2011

Ink

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A hilarious rockumentary in the laugh-packed tradition of THIS IS SPINAL TAP -- critics everywhere are howling the praises of HARD CORE LOGO! The punk rock band Hard Core Logo is back -- reunited and hitting the road on a last-gasp tour across the western part of the nation. As magnetic lead singer Joe Dick holds the whole tour together through sheer force of will, all the tensions and pitfalls of the rock 'n' roll lifestyle come bursting hilariously to the surface! Featuring a memorable appearance by punk rock legend Joey Ramone of The! Ramones -- settle in and enjoy this offbeat comedy as it really cranks up the laughs!Hard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only because he expects to be joining a much more successful rock group very shortly and sees! this as a favor to Dick. As they travel from town to town, th! eir rela tionship unravels, as does the psyche of bass player John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer Hard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Cor! e Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only because he expects to be joining a much more successful rock group very shortly and sees this as a favor to Dick. As they travel from town to town, their relationship unravels, as does the psyche of bass player John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related parapherna! lia, Hard Core Logo tells the story of Joe Dick, an unr! epentant , true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

Filmmaker Bruce McDonald's adaptation of Michael Turner's novel Hard Core Logo is about a fictitious Canadian punk band's reunion tour through the great North. Times have changed since the great punk era of the late '70s. Two decades later the music is still high-energy, but the folks playing it are a bit long in the tooth and out to prove otherwise. The music is provided by Hugh Dillon and Swamp Baby, who deliver punk fare such as the accusatory "Who the Hell Do You Think You Are?," the obvious "Rock 'n' Roll Is Fat and Ugly," and the drug-infested "China White (Ten Dollar F**k)." A take on the Dead Boys' "Sonic Reducer" lacks the focus of the o! riginal, but the inclusion of the Ramones ("Touring"), Teenage Head ("Bonerack"), and Chris Spedding ("Wild Wild Women") adds a touch of authenticity. --Rob O'ConnorHard Core Logo is often compared to This Is Spinal Tap--and for marketing purposes, that makes sense: both are pretend documentaries about rock bands (a self-important heavy metal crew in Spinal Tap, a self-destructing punk mob in Hard Core Logo). But though Hard Core Logo can be cuttingly funny, it's not really a comedy; it's a piercing examination of friendship and betrayal, success and self-hatred, and everything that fueled punk rock. Lead singer Joe Dick (Hugh Dillon) uses false pretenses to convince guitarist Billy Tallent (Callum Keith Rennie) to reform Hard Core Logo for a reunion tour across Canada, followed by a film crew (featuring director Bruce McDonald, whose other films include Roadkill and Highway 61, as himself). Tallent agrees, but only be! cause he expects to be joining a much more successful rock gro! up very shortly and sees this as a favor to Dick. As they travel from town to town, their relationship unravels, as does the psyche of bass player John Oxenberger (John Pyper-Ferguson). The performances are astonishingly genuine; even the oafish drummer Pipefitter (Bernie Coulson) becomes three-dimensional. By the end, you'll believe in them so much as people that the band's disintegration is truly wrenching. A remarkable film, both comic and sad. --Bret Fetzer

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into produc! tion in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

Hard Core Logo, first published in 1992, is an epistolary novel acclaimed for its realistic depiction of the life of a punk rock band. Consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia, Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker whose scarred ideals are renewed when his band reunites for one last shot at rock 'n' roll glory. Hard Core Logo was made into a feature film in 1996; a sequel went into production in February 2010. Michael Turner's other novels include The Pornographer's Poem (Soft Skull Press).

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Fighter

  • FIGHTER (DVD MOVIE)
Academy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable†” film. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. Joe Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky W! ard, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charlene (Amy Adams), a spitfire of a bartender who encourages him to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to aband! on the people who raised him, so he attempts to unite the vari! ous fact ions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyAcademy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable” film*. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. *Joe! Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky Ward, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charl! ene (Amy Adams), a spitfire of a bartender who encourages him ! to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to abandon the people who raised him, so he attempts to unite the various factions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyThe female karate kid.

Newcomer Semra Turan delivers a star-making performance as Aicha, a Copenhagen high school senior who dreams of becoming a champion mixed martial arts fighter. But when her conservative Turkish parents demand she go to medical school, Aicha instead begins secretly training at the local academy of Sifu (Xian Gao of CROUCHING TIGER, HIDDEN DRAGON fame). In a brutal sport where men make the rul! es, can a strong-willed woman battle her way to respect? And in a world where cultures clash as hard as any combat, will she survive long enough to decide what s worth fighting for? Cyron Melville and Sadi Tekelioglu co-star in this explosive drama featuring stunning choreography by Xian Gao that goes far beyond the usual martial arts movie.

Ghost Rider: Travels on the Healing Road

  • ISBN13: 9781550225488
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Marvel Ghost RiderBased on the Marvel Comics character, stunt motorcyclist Johnny Blaze gives up his soul to become a hell-blazing vigilante, to fight against power-hungry Blackheart, the son of the devil himself.Product Measures: 0.5 x 5.5 x 7.5Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the Easy Rider himself Peter Fonda, amusingly cast as Mephist! opheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

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Johnny Blaze (Nicolas Cage) was only a teenaged stunt biker when he sold his soul ! to the devil (Peter Fonda). Years later, Johnny is a world ren! owned da redevil by day, but at night, he becomes the Ghost Rider of Marvel Comics legend. The devil's bounty hunter, he is charged with finding evil souls on earth and bringing them to hell. But when a twist of fate brings Johnny's long-lost love (Eva Mendes) back into his life, Johnny realizes he just might have a second chance at happiness - if he can beat the devil and win back his soul. To do so he'll have to defeat Blackheart (Wes Bentley), the devil's nemesis and wayward son, whose plot to take over his father's realm will bring hell on earth--unless Ghost Rider can stop him. Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the Eas! y Rider himself Peter Fonda, amusingly cast as Mephistopheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

In less than a year, Neil Peart lost both his 19-year-old daughter, Selena, a! nd his wife, Jackie. Faced with overwhelming sadness and isola! ted from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of loss and directionlessness that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again. He had needed to get away, but had not really needed a destination. His travel adventures chronicle his personal odyssey and include stories of reuniting with friends and family, grieving, thinking, and reminiscing as he rode until he encountered the miracle that allowed him to find peace.