Saturday, April 14, 2012

Friday Night Lights: The Fourth Season

  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
For four years, the residents and students of Dillon, Texas, have faced difficult choices on and off the field with courage, passion and perseverance. Now the time has come to find closure for problems of the past while pursuing new possibilities that will lead many beyond Dillon city limits. But, will everyone be up to the challenge?TV's hottest new drama, Friday Night Lights, touches down on DVD with all 22 Season One episodes in a 5-disc collection! In the small town of Dillon, everyone comes together on Friday nights when the Dillon High Panthers play. But life is not a game; and the charismatic players, new coach Eric Taylor (Kyle Chandler), and the passionate fans find that their biggest challenges and obstacles come off the field in the compelling day-to-day dramas of their tight-kn! it community. From producers Brian Grazer (The Da Vinci Code) and Peter Berg (The Kingdom) comes the critically acclaimed TV series based on the best-selling novel and hit theatrical movie. Discover why The Associated Press calls it "breathtaking in how it captures ordinary life set against extraordinary passions."The first season of Friday Night Lights accomplishes something that few television dramas are able to do: It betters the 2004 film (starring Billy Bob Thornton) on which the series is based. Set in Dillon, Texas, where football--even on the high school level--is everything, Friday Night Lights is a compelling drama with a football subplot. Poignantly and effectively touching on racism, rape, steroids, jealousy, infidelity, and life-changing injuries, the series presents the inhabitants of Dillon as real people who are flawed, but remarkable in their ordinariness. Though the series struggled to find an audience during its inaugural year, it was a crit! ical favorite thanks to some fine acting by leads Kyle Chandle! r (as Co ach Eric Taylor) and Connie Britton (who portrays his wife, Tami). Coach Taylor's career depends on his ability to get the Dillon Panthers to the state championship. If the team suffers a losing streak, he knows his family, which includes daughter Julie (Aimee Teegarden), will no longer be welcome in Dillon. Britton, who also played the coach's wife in the film version, is a phenomenal actress who shares simmering chemistry with Chandler. Not content at just being the coach's wife, she lands a job as a counselor at the local high school. That position plays a pivotal role in the season finale, which leaves viewers wondering whether Eric will leave Dillon to accept a coveted coaching job with a university. Though the majority of the twentysomething actors appear too mature to portray high school students, they have the mannerisms of teens down pat. Gaius Charles is perfect as cocky running back Brian "Smash" Williams, who'll risk his health to make sure he gets a football sc! holarship to college. Local sweethearts Jason Street (Scott Porter) and Lyla Garrity (Minka Kelly) are the high school's golden couple. When a football injury leaves him paralyzed, he finds strength in what the future holds for him, but Lyla finds herself in a short-lived affair with Jason's best friend Tim Riggins (Taylor Kitsch). Once the relationship comes out in the open, their classmates' reactions to the "traitors" show that sexual inequality is rampant even in the teen set. Tim's teammates briefly ostracize him, but just as quickly forgive him, especially since he's so valuable on the football field. But Lyla becomes persona non grata to the girls at school who take too much glee in calling the head cheerleader a slut. The hits she takes verbally are no less lethal than the ones the boys take on the gridiron. And the tentative relationship between Julie Taylor and Matt Saracen (Zach Gilford) is the best depiction of teenage love since Angela Chase fell for Jordan Cat! alano on My So-Called Life. The actors do a wonderful j! ob conve ying the sweetness, pain, and hurt of falling in love without really understanding all of its implications. Peter Berg, who co-wrote and co-directed the film, has a strong presence as a writer on the series and evenly distributes the storylines between the kids and the adults. Friday Night Lights is a drama with teenage characters at its core. But the stories are universal. --Jae-Ha KimThrough five extraordinary seasons, the residents of Dillon, Texas, kept viewers captivated with the small-town struggles, victories, and heartbreaks that resonated across America with breathtaking authenticity. Now, relive the spirit of this small town with a big heart. Kyle Chandler, Connie Britton and an all-star ensemble shine in this American drama series that will never be forgotten.One of the greatest TV dramas of all time continues with 13 gripping fourth season episodes of the critically acclaimed series Friday Night Lights. Small-town life in Dillon has changed irrevoca! bly with the dramatic split of the school district. Coach Taylor (Kyle Chandler) finds himself fighting for the respect of the East Dillon Lions, while his wife, Tami (Connie Britton), faces her own battles as principal of the Dillon High Panthers. Across town, it’s a season for change as graduating students face life after high school, and new students deal with hostile rivalries. From executive producers Brian Grazer, Peter Berg and Jason Katims comes the show that critics rave “may have the greatest emotional range of any series ever on television” (Neal Gabler, Los Angeles Times).The fourth season of Friday Night Lights begins with Coach Taylor (Kyle Chandler) in what appears to be a lose-lose situation. Fired from Dillon High School as the Panthers' football coach, Taylor is offered a position coaching the East Dillon Lions. No matter how the school board tries to spin it with platitudes about both schools being equal, East Dillon is rundown, has no funds,! and has a football squad that's a team in name only. Of cours! e we all know that Coach Taylor being who he is, it's only a matter of time before he turns the team around and gets a little vengeance on the snooty Panthers. Meanwhile, his wife Tami (Connie Britton) is principal of Dillon High School, where their daughter Julie (Aimee Teegarden) is a senior. Her boyfriend, Matt (Zach Gilford), who had the chance to go to art school in Chicago, stayed behind in the small Texas town because he didn't want to leave behind his grandmother--who's suffering from Alzheimer's--or Julie. Though some of the plot points may sound melodramatic, they play beautifully in the 13 episodes, which originally aired on television during the 2009-2010 season. There are cast changes, reflecting the graduation of some of the characters. Lyla (Minka Kelly) briefly returns from her studies at Vanderbilt to attend a funeral, while Tim (Taylor Kitsch)--the boy she left behind--struggles with his ambivalent feelings for college and his need to help take care of the only fam! ily he has: his older brother, sister-in-law, and infant nephew. And new characters like Vince (Michael B. Jordan)--a central part of at least half the story lines--easily fit into the ensemble cast. Meanwhile, Lyla's dad Buddy (played by Brad Leland with just the right combination of sleaze and pathos) turns out to be instrumental in helping get the football program off the ground at East Dillon. Landry (Jesse Plemons) realizes that his on-again, off-again girlfriend is never coming back to him. And he's OK with that as he tackles the challenges of being the new kid at East Dillon. But, as his best friend Matt notes, "he's like a girl" when it comes to holding grudges. There also is major fallout for Tami, who is accused of telling a teenager to end her pregnancy, and trouble for a football player who gets hooked on drugs after an injury. When his religious parents tell him to pray, he does: "Dear Lord, please let me get some more drugs before Friday." There are a few scen! arios that ring false, like when the Panthers' star quarterbac! k J.D. M cCoy (Jeremy Sumpter) seemingly turns into a malicious, spoiled brat overnight. But overall, Friday Night Lights scores just the right touch. --Jae-Ha Kim

Saturday, March 24, 2012

Bowling for Columbine

  • Audio Introduction by Writer-Director Michael Moore
  • OSCAR WINNER: Documentary Feature, 2002
  • WINNER: Original Screenplay by WRITERS GUILD OF AMERICA, 2003
  • On over 160 Top-Ten Lists
  • CANNES FILM FESTIVAL, 2002 35th Anniversary Prize
Acclaimed filmmaker Michael Moore (Roger & Me) takes aim at America's love affair with guns and violence in this Oscar(r)-winning* film that "demands attention" (People)! Mixing riveting footage, hilarious animation and candid interviews with everyone from the NRA's Charlton Heston to shock-rocker Marilyn Manson, Bowling for Columbine is a "brilliant" (The Hollywood Reporter) tour de force of filmmaking. *2002: Documentary FeatureMichael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and! short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret FetzerThree-disc collection includes "The Big One," "Bowling for Columbine," and a disc featuring never-before-seen footage of Moore's 2003 book tour for his best-selling "Dude, Where's My Country?"The Michael Moore Limited Edition DVD Collector's Set collects ! two of his landmark documentaries as well as a bonus disc of f! ootage f rom the tour promoting his 2003 book Dude, Where's My Country? Bowling for Columbine (2002) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. The two-disc special edition included here is officially out of print and not! available separately. Its features include an updated voice-over introduction from Michael Moore on the first disc, as well as a direct-to-camera talk on the second disc in which he discussed reactions to the film, and his reaction to winning an Oscar (he had to recite his celebrated acceptance speech because the Academy refused permission for him to show a clip, and he offered his take on who was booing whom). Other extras are an enthusiastic commentary track by Moore's former receptionists and interns; good, thoughtful, funny, and provocative interviews with ex-Clinton Press Secretary Joe Lockhart and with film critic Charlie Rose; and a moving return to Littleton, Colorado--home of Columbine High School--to find out what local people thought of the documentary.

A brazen mixture of stand-up comedy, political commentary, CEO confrontations, and shenanigans with Random House tour escorts, The Big One (1997) follows Moore's book tour to promote Downsize! This. In cities like Des Moines, Minneapolis, St. Louis, ! and Port land, Moore's lighthearted-sounding but deeply biting humor speaking before bookstore patrons is juxtaposed with painful-to-watch confrontations with security personnel at companies such as Procter & Gamble and PayDay. Moore speaks clandestinely with Borders employees organizing a union; a woman laid off from Ford attends Moore's Rockford, Illinois, bookstore visit the same day. Though slow in spots, frustrating if not depressing in others, it's intensely funny the rest of the time. The Big One is fundamental viewing.

On the bonus disc is a 13-minute featurette, "39 Cities in 23 Days." On the tour for his book Dude, Where's My Country?, Moore enthralls and amuses enthusiastic college crowds with points about the Bush-Saudi connections, voting machines, and "weapons of mass balloonery."Acclaimed filmmaker Michael Moore (Fahrenheit 9/11) takes aim at Americ'love affair with guns and violence in this Oscar winning film that "demand attention" (People)! Mixing! riveting footage, hilarious animation and candid interviews with everyone from the NR's Charlton Heston to shock-rocker Marilyn Manson, Bowling for Columbine is brilliant.Michael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore mor! e than just a gadfly; he's become a genuine voice of reason in! a world driven by fear and greed. --Bret Fetzer

Sunday, March 11, 2012

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Deterrence offers a welcome throwback to such sweaty-palmed chamber pieces as Fail-Safe and Twelve Angry Men, and in his debut as writer-director, Rod Lurie, a West Point graduate and former film critic, has crafted a taut, one-set drama that would have been ideal for live television. With its provocative what-if scenario and a sharp cast confined to a claustrophobic space, this movie's more clever than coherent, but it grabs your attention for 103 briskly paced minutes.

The year is 2008, and U.S. President Walter Emerson (Kevin Pollak) has something to prove. He wasn't elected (he took office upon the death of the previous president), and he needs a pivotal boost in a current pr! imary election. While he and his entourage are trapped under heavy snowfall in a tiny Colorado diner, Emerson must decide whether to unleash a nuclear arsenal on the son of Saddam Hussein, who has invaded Kuwait and taken hundreds of American lives. With his chief of staff (Timothy Hutton), top advisers, and a cluster of terrified diners, Emerson sorts through his options as tensions come to a boil.

This all works well on the surface, and Deterrence gains depth by depicting a president who is potentially as evil as his unseen enemy. But the film is almost fatally vague (clearly Lurie wants viewers to bring their own interpretation to these events) and ends with a twist that's too contrived to be dramatically satisfying. Until that point, however, Deterrence will certainly keep you engaged. --Jeff ShannonRECKONING/DETERRENCE - DVD MovieDeterrence offers a welcome throwback to such sweaty-palmed chamber pieces as Fail-Safe and Twelve ! Angry Men, and in his debut as writer-director, Rod Lurie,! a West Point graduate and former film critic, has crafted a taut, one-set drama that would have been ideal for live television. With its provocative what-if scenario and a sharp cast confined to a claustrophobic space, this movie's more clever than coherent, but it grabs your attention for 103 briskly paced minutes.

The year is 2008, and U.S. President Walter Emerson (Kevin Pollak) has something to prove. He wasn't elected (he took office upon the death of the previous president), and he needs a pivotal boost in a current primary election. While he and his entourage are trapped under heavy snowfall in a tiny Colorado diner, Emerson must decide whether to unleash a nuclear arsenal on the son of Saddam Hussein, who has invaded Kuwait and taken hundreds of American lives. With his chief of staff (Timothy Hutton), top advisers, and a cluster of terrified diners, Emerson sorts through his options as tensions come to a boil.

This all works well on the surface, and Deterrence gains depth by depicting a president who is potentially as evil as his unseen enemy. But the film is almost fatally vague (clearly Lurie wants viewers to bring their own interpretation to these events) and ends with a twist that's too contrived to be dramatically satisfying. Until that point, however, Deterrence will certainly keep you engaged. --Jeff ShannonAs a concept, deterrence has launched a thousand books and articles. It has dominated Western strategic thinking for more than four decades. In this important and groundbreaking new book, Lawrence Freedman develops a distinctive approach to the evaluation of deterrence as both a state of mind and a strategic option. This approach is applied to post-cold war crisis management, and the utility and relevance of the concept is addressed in relation to US strategic practice post-9/11, particularly in the light of the apparent preference of the Bush Administration for the alternative concept of pre-emption.

The study of deterrence has been hampered by the wei! ght of t he intellectual baggage accumulated since the end of the Second World War. Exaggerated notions of what deterrence might achieve were developed, only to be to knocked down by academic critique. In this book, Freedman charts the evolution of the contemporary concept of deterrence, and discusses whether - and how - it still has relevance in today's world. He considers constructivist as well as realist approaches and draws on criminological as well as strategic studies literature to develop a concept of a norms-based, as opposed to an interest-based, deterrence. This book will be essential reading for students of politics and international relations as well as all those interested in contemporary strategic thought.El año es 2008. Las fuerzas militares de los Estados Unidos de América han sido movilizadas hacia Corea y el Mar de Japón. Al timón se encuentra Walter Emerson (Kevin Pollak), el antiguo Vicepresidente, quien asumió la oficina a la muerte del adorado Presidente Bu! ckingham. Ahora, en medio de las elecciones primarias presidenciales, Emerson ha estado enfrentando preguntas sobre su compatibilidad con el puesto. Su campaña llega a Colorado cuando una feroz tormenta de nieve cierra el estado entero. Emerson y su séquito buscan refugio temporal en la Cafetería de Morty en Aztec, Colorado. Aquí Harvey(Badja Djola), el dueño, y su mesera/esposa Katie (Clotilde Courau) están esperando que se acabe la tormenta mientras atienden a los pocos clientes que están atorados en la cafetería con ellos. Emerson ve los resultados de la elección en el canal de televisión IBS de noticias con su Jefe de Asesores, Marshall Thompson (Timothy Hutton), y su Consejero de Seguridad Nacional, Gayle Redford (Sheryl Lee Ralph). Al pasar las noticias de su victoria en una elección primaria crucial, la transmisión es interrumpida con la noticia sobre una invasión a Kuwait. Las fuerzas de la Naciones Unidas que mantienen la paz han sucumbido y han matado! a algunos americanos. Una vez más el agresor es Iraq, esta v! ez guiad os por Udei Hussein. Agarrados completamente por sorpresa, Emerson tiene una conferencia telefónica con sus Secretarios de Estado y de la Defensa y varios otros consejeros para atestar rápidamente la situación. Al ponderar varias opciones, Emerson se dirige a la nación desde la Cafetería de Morty con la ayuda de un equipo de camarógrafos que han estado siguiendo al Presidente a través de su campaña. Durante su discurso, que es transmitido mundialmente por IBS, Emerson se dirige a la gente de Iraq directamente y les advierte que si Udei Hussein no se retira de Kuwait dentro de una hora, Emerson hará lo que una vez se creyera impensable....

As the costs of a preemptive foreign policy in Iraq have become clear, strategies such as containment and deterrence have been gaining currency among policy makers. This comprehensive book offers an agenda for the contemporary practice of deterrenceâ€"especially as it applies to nuclear weaponsâ€"in an increasingly heterogen! eous global and political setting.

Moving beyond the precepts of traditional deterrence theory, this groundbreaking volume offers insights for the use of deterrence in the modern world, where policy makers may encounter irrational actors, failed states, religious zeal, ambiguous power relationships, and other situations where the traditional rules of statecraft do not apply. A distinguished group of contributors here examines issues such as deterrence among the Great Powers; the problems of regional and nonstate actors; and actors armed with chemical, biological, and nuclear weapons. Complex Deterrence will be a valuable resource for anyone facing the considerable challenge of fostering security and peace in the twenty-first century.

(20090128)

As the costs of a preemptive foreign policy in Iraq have become clear, strategies such as containment and deterrence have been gaining currency among policy makers. This comprehensive book offers an a! genda for the contemporary practice of deterrenceâ€"especially! as it a pplies to nuclear weaponsâ€"in an increasingly heterogeneous global and political setting.

Moving beyond the precepts of traditional deterrence theory, this groundbreaking volume offers insights for the use of deterrence in the modern world, where policy makers may encounter irrational actors, failed states, religious zeal, ambiguous power relationships, and other situations where the traditional rules of statecraft do not apply. A distinguished group of contributors here examines issues such as deterrence among the Great Powers; the problems of regional and nonstate actors; and actors armed with chemical, biological, and nuclear weapons. Complex Deterrence will be a valuable resource for anyone facing the considerable challenge of fostering security and peace in the twenty-first century.

(20090128)4 Pack Video Warning! Decals The first layer of any good security system is the signage. Bring attention to your security system, whether you are using dum! mies or real cameras. Place these decals at strategic locations to enhance the effectiveness of your security system.

Wednesday, January 25, 2012

Something's Gotta Give

  • Jack Nicholson is always a Key Feature
  • Comedy Movie
  • DVD
Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a succes! sful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon

Thursday, January 19, 2012

A Decade Under the Influence

  • The 1970s was an extraordinary time of rebellion, and of questioning every accepted idea. As political activism, the sexual revolution, teh woman's movement, and the music revolution contributed to social unrest across the country, American cinema witnessed the emergence of a new generation of filmmakers. Galvanized by a new freedom of expression, these ground-breaking artists began targeting
The 1970s was an extraordinary time of rebellion. As political activism, the sexual revolution, the women's movement, and the music revolution contributed to social unrest across America, American cinema witnessed the emergence of a new generation of filHow did Hollywood make so many great, challenging, offbeat films in the 1970s? A Decade Under the Influence lists the reasons--or rather, lets the people who did the filmmaking list the reasons. The decade-shaping interviewees include Martin Scors! ese, Robert Altman, Francis Coppola, et al. The film's argument has actually been conventional wisdom for at least 10 years, but it's well-supported by an abundance of clips, which should inspire even hardcore film buffs to seek out rarities such as Thunderbolt and Lightfoot or The King of Marvin Gardens. One might observe that the scarcity of women directors or black filmmakers suggests that the decade was not entirely golden, and the memories may be burnished a bit by nostalgia. But there's no question that the big studios were far more adventurous back then, and this briskly moving survey gives a lively Film 101 lecture in exactly why. --Robert Horton

House of Numbers DVD

Wednesday, January 18, 2012

Blood into Wine

  • Extended Interviews
  • Alternate Scenes
  • Deleted Scenes
  • Never before seen concert footage
  • Wine Documentary
For wine dealer Alex Gates (Jack Nicholson) it hasn't been a vintage year-his business is on the rocks as is his marriage to Suzanne (Judy Davis). His stepson, Jason (Stephen Dorff), hates him, and his mistress, Gabrielle (Jennifer Lopez), is asking for a commitment. In desperation, Alex conspires with his safecracker buddy, Victor (Michael Caine), to steal a million dollar diamond necklace from a wealthy client.You can feel the gears grinding, trying to turn this attempt at film noir into something sleek and insinuating, instead of the labored near miss it turns out to be. Jack Nicholson is a Florida wine merchant whose business isn't as good as he has his unhappy wife (Judy Davis) believe. He's also consistently at odds with his churlish stepson (Stephen D! orff). Meanwhile, Nicholson is plotting to steal an expensive diamond necklace and dump his wife, aided by his mistress (Jennifer Lopez) and a sleazy safecracker (Michael Caine). It's the kind of thing James M. Cain used to toss off effortlessly, but in director Bob Rafelson's hands the strain shows at every seam as crime and romantic treachery put all of the characters on a violent collision course. --Marshall FineBoth an eye-opening account of the financial and personal scandals at the nation's number-one winery and a devastating portrait of patriarch Ernest Gallo, Blood and Wine tells the riveting saga of the ruthless Gallo family and the history of the business that dominates the American wine industry. Photographs.Studio: Channel Sources Dist Release Date: 09/07/2010

Haribo Gummi Candy Gold-Bears, 5-Pound Bag

Dolls

  • Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf
A mysterious drifter (Josh Hartnett) and a young Japanese Warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his seperate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secre! t past.A mysterious drifter (Josh Hartnett) and a young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secret past.Tear into the origins of the legendary tournament that pits the world's greatest warriors against the forces of Outworld in the fight to save our planet. Discover never-before-revelead storylines that deepen the mythology of the Mortal Kombat multiverse and the backstories of your favorite characters, including Jax, Sonya, Scorpion, Sub-Zero, Raiden, Johnny Cage, and more! This is kombat taken to a whole new level, more gritty and raw than anything you've ever seen ! before. FIGHT!A naïve young man assumes a dead man's identit! y in ord er to join a underworld game of Russian Roulette. The stakes are high, but the payout is more than he can resist. His only collateral is his life and however long his luck can hold. Are his odds any better than any other player in this most deadly game?In a young Republic of China, where greedy warlords fuel a period of war and strife, Hou Jie (Andy Lau) arrogantly shows no mercy to his enemies seeking refuge with the benign and compassionate Shaolin monks. After unscrupulously killing a wounded enemy, Hou Jie pays a terrible price for his actions and is forced to seek refuge in the same Shaolin Monastery he blatantly disrespected. Hou Jie s traitorous second-in-command Cao Man (Nicholas Tse) continues where the once-warlord left off, betraying his country and his own people. Hou Jie must adapt to Shaolin principles to stop the monster he created.

Bonus Features
English Dub
Deleted Scenes
US Trailers
International TrailersBased loosely on the 1982 martial arts ! epic Shaolin Temple, which helped to mint Jet Li as a star, this Hong Kong blockbuster from Benny Chan stars Andy Lau as a battle-weary warlord who finds refuge and then solace among the monks of a Shaolin temple. Set during the tumult of early Republican China, the story unfolds as Lau's warlord usurps his rivals, but at the cost of his daughter's life and his wife's loyalty. His spirit crushed, he decides to atone for his violent past by joining a Shaolin order (which counts Jackie Chan, in a glorified cameo, as its cook). Lau's path to enlightenment is cast into doubt when he discovers that his former second-in-command (Nicholas Tse, in an enjoyably overripe performance) has enslaved the local population and forced them to unearth relics in order to pay for greater weapons. Things naturally come to a head between Lau and Tse, but the film is less concerned with sprawling martial arts battles than the emotional conflicts between and within its major players. Honor,! familial loyalty, remorse, and pursuit of spiritual wholeness! are cor nerstones of Hong Kong action films, but the depth of the performances and screenplay (by Alan Yuen) lends rich nuances to the subjects, often at the expense of adding an extra fight scene to the picture. That's perhaps a good thing, as martial arts choreographer Corey Yuen's usual pyrotechnics are hobbled somewhat by his leads, who are fine actors but only modest fighters, leaving the firepower to wushu champion Wu Jing as a Shaolin elder. Chan's formidable talents are used to underscore his comic contributions to the film, and as such, are only mildly entertaining. That's also how most martial arts fans will view Shaolin, though those who value theme as well as action may find it a frequently thoughtful diversion. The Blu-ray collector's edition features a gallery of deleted scenes (mostly extended versions of scenes in the theatrical cut) and trailers, as well as a pair of by-the-books featurettes on the film's production. Slightly more interesting are a handful of! interviews with the principals, which touch on the picture's historical basis and the '82 Li film, among other subjects. --Paul GaitaThe tale of conan the cimmerian and his adventures across the continent of hyboria on a quest to avenge the murder of his father and the slaughter of his village. Studio: Lions Gate Home Ent. Release Date: 11/22/2011 Starring: Jason Momoa Rose Mcgowan Rating: Pg13 Director: Marcus NispelYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose tr! auma, de ath by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it! is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonInspired by the everlasting emotions expressed in Japanese Bunraku doll theatre, Dolls weaves three stories delicately intertwined by the beauty of sadness. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza mysteriously returns to the park where he used to meet his long-past girlfriend. A disfigured pop star confronts the phenomenal devotion of her biggest fanDolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on! stoical cops or gangsters. The title refers most directly, bu! t not ex clusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action.

The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, and formal movement imposed by Kitano's compositional eye and rigorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is ! added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her.

This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson

Big Sexy Hair What A Tease Styler By Sexy Hair, 4.4 Ounce

Tuesday, January 17, 2012

Away We Go

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
John Krasinski (The Office) and Maya Rudolph (Saturday Night Live) star in the heartfelt film that explores the comedic twists and turns in one couple’s journey across contemporary America. Anticipating the birth of their first child, longtime couple Burt (Krasinski) and Verona (Rudolph) embark on an ambitious itinerary to visit friends and family in order to find their perfect home. Featuring a remarkable soundtrack and an incredible ensemble cast â€" including Jeff Daniels, Allison Janney, Maggie Gyllenhaal, Catherine O’Hara and Jim Gaffigan. It’s the hilarious, witty film that critics are hailing as “absolutely extraordinary!” (Peter Travers, Rolling Stone)Away We Go has an incredible mix of ingredients: A script co-written by Dave Eggers (author of A Heartbreaking ! Work of Staggering Genius), directed by Sam Mendes (American Beauty, Revolutionary Road), starring the not-hugely-famous-but-always-excellent Maya Rudolph (Saturday Night Live) and John Krasinski (The Office), and featuring an astounding supporting cast that includes Catherine O’Hara, Maggie Gyllenhaal, Jeff Daniels, Allison Janney, Jim Gaffigan, and more. What’s even more incredible is that all these ingredients blend together into a truly marvelous but very non-traditional romantic comedy. For one thing, Burt (Krasinski) and Verona (Rudolph) are already a couple and expecting their first child. What they don’t know is where they’re going to live--so they set off on a tour of disparate locations (Tucson, Montreal, Miami) where they have friends or relatives, sampling not only different cities and climates but also different families. The social and emotional collisions that follow are sometimes very funny and sometimes heartwrenching! . Away We Go starts quietly and, through subtle yet con! sistentl y delightful scenes, builds to a surprisingly potent end. This is a gem of a movie, not to be missed. --Bret Fetzer

Frequency : Widescreen Edition

  • Widescreen
A phenomenon allows police officer John Sullivan (Jim Caviezel) to save the life of his long-dead father (Dennis Quaid). But changing the past leads to a string of brutal, serial homicides. Now, they both must race across time to stop the killer.

DVD Features:
Audio Commentary
Music Only Track
Photo gallery
Theatrical Trailer

Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then there's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid! ), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son begin talking across time. This is great for John, because now he can warn his dad about the upcoming fire and avert the catastrophe that left him fatherless for most of his life. Accomplishing this gives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the case and hopefully avert the tragedy that befell their family.

Time-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time parado! xes by having John explain how, having altered his past, he no! w experi ences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, we see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ramifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far richer experience. --Jim GayBecause we see the world from a physical perspective, we often don't notice what's right in front of us â€" that our spirit, thoughts, emotions, and body are all made of energy. Inside us and everywhere around us, life is vibrating. In fact, each of us has a personal vibration that accurately communicates! who we are to the world and helps shape our reality. Frequency shows readers how to feel their personal vibration, improve it, and use it to shift their life from ordinary to extraordinary. A simple shift in frequency can change depression to peace, anger to stillness, and fear to enthusiasm.

Weaving together basic ideas from quantum physics with proven intuition development techniques, Frequency takes readers into deeper concepts only hinted at in recent popular books and DVD's featuring the Law of Attraction. By learning to refine the "conscious sensitivity" of their body, readers can improve relationships, find upscale solutions to problems, and materialize a life that contains everything they want and need to live their destiny.

Frequency gives readers a reassuring, step-by-step roadmap into a positive state of awareness that Peirce calls The Intuition Age. By learning to use "frequency principles" â€" methods based on the way energy actual! ly functions â€" readers can keep their energy level high and ! producti ve, receive subtle information directly from the environment via "empathic resonance," and quickly free themselves from negative or low "vibrations."In this fantasy thriller, a man is given an unusual opportunity to change the past and alter his future. A man whose father died 30 years ago when he was just a boy, makes a startling discovery when working with his ham radio one night: he can speak with his late father over the radio. Having inadvertently found a way to reach into the past, the man desperately struggles to warn his father of the dangers that will come his way, in hopes of changing his tragic fate.

A renowned intuitive and visionary shows you how to know what you need to know just when you need to know it.

Intuition is not a rare gift that only a gifted few possess but an innate human capacity that can be enhanced and developed. Synthesizing insights from psychology, East- West philosophy, religion, metaphysics, and business, this hands-on workbook in the tradition of Julia Cameron’s The Artist’s Way, can teach anyone to achieve a heightened state of perceptual vitality and integrate it into daily life. Intuition, writes Penney Peirce, is “not the opposite of logic,” but rather “a comprehensive way of knowing life that includes both left-brain analytical thinking and right-brain communication states.” On a practical level, intuition enables us to learn faster and make quicker, more inspired decisions. On a deeper level, it “is a powerful tool that can heal the painful split we all feel between our earthly, mundane selves and ou! r divine, eternal selves.” Widely praised in its earlier editions, this new edition of The Intuitive Way, with a Foreword by Carol Adrienne, will introduce Penney Peirce’s pioneering work to a whole new readership.Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then there's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son begin talking across time. This is great for John, because now he can warn his dad about the upcoming fire and avert the catastrop! he that left him fatherless for most of his life. Accomplishin! g this g ives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the case and hopefully avert the tragedy that befell their family.

Time-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time paradoxes by having John explain how, having altered his past, he now experiences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, we see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ra! mifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far richer experience. --Jim GayBestselling author Caroline A. Shearer shares her tips and tools for living a high-frequency life in this special min-e-bookâ„¢.
With mind-opening concepts and tips, "Raise Your Vibration: Tips and Tools for a High-Frequency Life" opens the doorway to your highest and greatest good! This min-e-bookâ„¢ demonstrates how every thought and every action affect our level of attraction, enabling us to attain what we truly want in life. Divided into categories of mind, body, and spirit/soul, readers will learn practical steps they can immediately put into practi! ce to resonate at a higher vibration and further evolve their ! souls. A must-read primer for a higher existence!
Are you ready for a high-frequency life?Bestselling author Caroline A. Shearer shares her tips and tools for living a high-frequency life in this special min-e-bookâ„¢.
With mind-opening concepts and tips, "Raise Your Vibration: Tips and Tools for a High-Frequency Life" opens the doorway to your highest and greatest good! This min-e-bookâ„¢ demonstrates how every thought and every action affect our level of attraction, enabling us to attain what we truly want in life. Divided into categories of mind, body, and spirit/soul, readers will learn practical steps they can immediately put into practice to resonate at a higher vibration and further evolve their souls. A must-read primer for a higher existence!
Are you ready for a high-frequency life?Because science has long taught us to rely on what we can see and touch, we often don't notice that our spirit, thoughts, emotions, and body are all made of energy. Everything is vibr! ating. In fact, each of us has a personal vibration that communicates who we are to the world and helps shape our reality.

In Frequency, Penney Peirce shows you how to feel your personal vibration and work intentionally with energy to transform your life. By learning to find your "home frequency" -- the highest, most natural personal vibration you can attain -- you can maximize clarity, minimize struggle, and discover new talents and capacities.

Awakening to the new reality that a higher frequency reveals can help you dramatically improve relationships, find upscale solutions to problems, and materialize a life that contains everything you need. Frequency shows you how to manage your energy "state" so you can stay on track with your destiny -- and reap the benefits of the life you're truly built for.Because science has long taught us to rely on what we can see and touch, we often don't notice that our spirit, thoughts, emotions, and body are all made o! f energy. Everything is vibrating. In fact, each of us has a p! ersonal vibration that communicates who we are to the world and helps shape our reality.

In Frequency, Penney Peirce shows you how to feel your personal vibration and work intentionally with energy to transform your life. By learning to find your "home frequency" -- the highest, most natural personal vibration you can attain -- you can maximize clarity, minimize struggle, and discover new talents and capacities.

Awakening to the new reality that a higher frequency reveals can help you dramatically improve relationships, find upscale solutions to problems, and materialize a life that contains everything you need. Frequency shows you how to manage your energy "state" so you can stay on track with your destiny -- and reap the benefits of the life you're truly built for.DVD

Cats Don't Dance

  • The rags-to-riches story of Danny, a talented cat whose lifelong goal of movie stardom is sidetracked when he discovers only humans get the good roles in Hollywood. On the big screen, animals can bark, meow or moo, but cats don't dance. Danny vows to break through the "species barrier" and prove that dreams really can come true.Running Time: 120 min. Format: DVD MOVIE Genre: CHILDREN R
The rags-to-riches story of Danny, a talented cat whose lifelong goal of movie stardom is sidetracked when he discovers only humans get the good roles in Hollywood. On the big screen, animals can bark, meow or moo, but cats don't dance. Danny vows to break through the "species barrier" and prove that dreams really can come true. Actually, cats do dance, and there are a lot of little cat feet tapping all over this odd animated film. Complaints about originality can't be leveled here; the film works within the c! onfines of the musical genre, but there's never really been anything like this. Danny the cat is from Kokomo, and he's got a short list of things he has to do to become a big star in Hollywood. Unfortunately, he's unaware that animals, even talented ones, aren't even considered for showy parts in films. They're considered window dressing for humans, especially big stars such as Darla Dimple, the unlikely antagonist here. The music is by Randy Newman, and it's not really his best, but toe tapping may occur. The animation is reminiscent of an upgraded Animaniacs, and there's a frenetic, jittery sense to the scenes (mostly dealing with slapstick humor). Older fans of animation or bygone Hollywood will have much more to appreciate here than small children, but that's refreshing in itself. --Keith Simanton

Monday, January 16, 2012

Ghost Town (Morganville Vampires, Book 9)

  • ISBN13: 9780451232915
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank (Greg Kinnear). The latter, a rogue who cheated on his archaeologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous characte! r in the original The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)











Since moving to California from his native Germany, photographer Stephan Würth has been fascinated with the mythical vistas of the American West and the isolation and freedom of vast desert expanses. Würth culminates this geographical romance with the new series Ghost Town. These photographs narrate the tale of three women as they journey through Nevada, where they soon find themselves stran! ded with a broken-down car on the side of a desolate road. Sho! t over s even days on black-and-white Kodak Tri-X film, the images were scanned for the book from 16 x 20 inch hand-developed prints and never retouched. The book also features an epilogue by fashion and culture critic Lesley M. M. Blume.Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank (Greg Kinnear). The latter, a rogue who cheated on his archaeologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous character in the original The Office, unable to co! mplete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)











A shocking thriller following the exploits of a man on a mission of vengence, his new found love, and a world of innocents he must protect.

His job was to hide the scars left over after towns were destroyed and erase them from existence. He soon begins to question the motives of his superiors, the purpose his assignments, and the spread of the infection. Forced to protect the innocents from the evil that lurked after his deeds, can he su! rvive long enough to save humanity?



This book contains graphic content, sexual situations, and violence not suitable for minors. Reader discretion is advised.A shocking thriller following the exploits of a man on a mission of vengence, his new found love, and a world of innocents he must protect.

His job was to hide the scars left over after towns were destroyed and erase them from existence. He soon begins to question the motives of his superiors, the purpose his assignments, and the spread of the infection. Forced to protect the innocents from the evil that lurked after his deeds, can he survive long enough to save humanity?




This book contains graphic content, sexual situations, and violence not suitable for minors. Reader discretion is advised.While developing a new system to maintain the town's defenses, genius student Claire Danvers discovers a way to use the vampires' powers to keep outsiders from spreading news of Morganville's "unique" situation.

But when people in town s! tart forgetting who they are-including the vampires-Claire has to figure out how to pull the plug on her experiment before she forgets how to save herself...and Morganville.While developing a new system to maintain the town's defenses, genius student Claire Danvers discovers a way to use the vampires' powers to keep outsiders from spreading news of Morganville's "unique" situation.

But when people in town start forgetting who they are-including the vampires-Claire has to figure out how to pull the plug on her experiment before she forgets how to save herself...and Morganville.While developing a new system to maintain the town's defenses, genius student Claire Danvers discovers a way to use the vampires' powers to keep outsiders from spreading news of Morganville's "unique" situation.

But when people in town start forgetting who they are-including the vampires-Claire has to figure out how to pull the plug on her experiment before she forgets how to save her! self...and Morganville.

Friday, January 13, 2012

Old English 75144 8 Oz. Scratch Cover for Dark Wood

  • Cleans, shines & conditions
  • Helps prevent drying and cracking
  • Protects against ordinary wear such as dust and fingerprints
  • Made in the USA
A critically acclaimed psychological thriller; Dark Woods tells the story of a young couple who moves to a secluded cabin to cope with the wife's terminal illness. After the husband rescues a young girl from the abusive hands of her psychotic uncle he is coerced by local law enforcement to allow her to stay with them. As the illness consumes the wife and the husband struggles with his own human connections, the young girl attempts to claim her place in this strange new family dynamic. The husband must rediscover his humanity and choose between his increasingly erratic and sexually explorative new housemate, and his horrifically deteriorating wife.

This product is manufactured on demand using DVD-R recordable media. Amazon.com! 's standard return policy will apply.

One of the country's premier outdoors writers makes his chilling fiction debut. It came out on the night of the hunters.

Deputy Frank Vaughn is tracking a strange, wounded beast. But there's only one thing more terrifying than what he's hunting. It's what's hunting him.Throughout its long history, Freetown, Massachusetts, has been a hotbed of criminal and supernatural occurrences in the town's State Forest. This is the first account of how its darker side connects hauntings with violent crime and local cults. Native American ghosts roam here and evil lurks, making the forest a haven for nasty creatures (the Pukwudgies). A witch looks for favors from young men, satan cults thrive, and killers kill. Read first-hand accounts from police officials and criminals about the forest. Learn why hauntings continue today. Many come here to enjoy the beauty of Freetown State Forest; these are the stories of those who cannot leave.Stu! dio: Repnet Llc Release Date: 05/30/2006Forgotten somewhere b! etween B ar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.Cleans, shines and conditions wax to beautify and preserve wood. Helps prevent drying and cracking and Protects against ordinary wear such as dust and fingerprints. Use on furniture, paneling and cabinets. Scratch covers are ideal for nicks and scratches.

Wednesday, January 11, 2012

Boogeyman 2 (Unrated Director's Cut)

  • Widescreen and Full Screen Versions
  • Commentary with Director Jeff Betancourt and Screenwriter Brian Sieve
  • Commentary with Actors Tobin Bell and Danielle Savre and Producers Gary Bryman and Steve Hein
  • Bringing Fear To Life: Make Up Effects From Storyboard to Screen
  • English and French with subtitles in English, French and Spanish.
Every culture has one - the horrible monster fueling young children's nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years earlier. Is the Boogeyman real? Or did Tim make him up to explain why his father abandoned his family? The answer lies hidden behind every dark corner and half-opened closet of his childhood home - a place he must return to and face the chilling unanswered question does the Boogeyman really exist?Since movies began, thrillers have depended on a door jus! t slightly ajar, with a narrow slit of darkness that promises to hold your worst fears. In the first five minutes of Boogeyman, a young boy's father is violently sucked into a closet, scarring the boy so badly that he grows up to be blank-faced Barry Watson (7th Heaven), who plays Tim, an editor at a newspaper or a magazine or something. Tim, to impress his girlfriend's parents, wears a coat and tie but doesn't shave his sexy stubble. A premonition of his mother's death drives him back to his childhood home so he can exorcise his phobias. From there...well, there's lots of atmospheric cinematography, regular jolts of loud music, and many quick edits. What actually happens is pretty obscure and, really, not worth unobscuring. The obsession with doors and doorknobs verges on the avant-garde. Also featuring a brief glimpse of Lucy Lawless (Xena: Warrior Princess), wearing some truly terrible old-age makeup. --Bret FetzerBOOGEYMAN 2 - DVD Movie

Hoodwinked (Widescreen Edition)

  • A new spin on an old fable. In this film, Red, Granny, The Big Bad Wolf and the Woodman, all face Detective Flippers as he attempts to determine the 'real' events of the Little Red Riding Hood story. Original songs and witty humor fill this fun and adventurous film. Format: DVD MOVIE Genre: CHILDREN Rating: PG Age: 796019791090 UPC: 796019791090 Manufacture
So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the B! ig Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrogating the suspects: A Little Red in bell-bottoms (Anne Hathaway, Ella Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly! Sue), each of whom have very different reasons for ending! up in t hat cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and other Rankin-Bass holiday specials. While sometimes awkward, there are also moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rapper Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer