Doom

• 1 or 2 Players
• Over 50 Hellish Levels
• All-new 24 channel stereo sound effects
• 2 player "Deathmatch" and "Competative" modes
• The Best monsters, weapons and bosses from Ultimate Doom and Doom II

A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, Doom is an explosive action-packed thrill ride! Starring: Dwayne ''The Rock'' Johnson, Karl Urban, Rosamund Pike, Deobia Oparei, Ben Daniels, Raz Adoti, Richard Brake, Brian Steele, Doug Jones, Dwayne 'The Rock' Johnson Directed by: Andrzej Bartk! owiakGrab your BFG and get ready to kick some Martian-demon butt in Doom, another entry in the increasingly crowded videogame-to-movie genre. The Rock plays Sarge, the commander of a squad of Marines sent to investigate a disturbance at a scientific research facility on Mars. Among the squad is John Grimm (Karl Urban, who played Eomer in The Lord of the Rings), who turns out to have had a previous relationship with Samantha (Rosamund Pike, Die Another Day), the scientist who's accompanying the Marines in order to retrieve some vital data from the facility. Based on id Software's legendary first-person shooter, Doom tries its best to look like a game, with dark, angled corridors, ferocious creatures appearing out of nowhere, and a variety of lethal weapons that will, like the aforementioned BFG, warm the cockles of a gamer's heart. There's also one memorable sequence that actually turns the movie into a first-person shooter; the good news is t! hat in the context of the whole film, it's not quite as goofy ! as it mi ght have been. And that's not a bad frame of reference for the film in general. Considering the game-to-movie field includes such duds as Wing Commander, if you go into Doom with low expectations, you'll probably find it a surprisingly respectable horror/sci-fi thriller in the Resident Evil vein (including its somewhat obligatory subplot of corporate wrongdoing). Also in its favor is that it's unabashedly R-rated, for the extreme gore that is a trademark of the game. After all, the purpose of the movie is to pack scares and thrills into a setting that gamers will quickly recognize. In that sense, it qualifies as a success. --David HoriuchiNo question about it: Doom is one of the greatest games of all time. The blend of a simple, yet compelling mission, breakthrough 3-D interface, brilliant level and weapon design, and the effective use of fear made Doom an instant classic and launched a revolution in computer games. Born on the! PC, this game has been ported to almost everything imaginable, and the PlayStation port is one of the best.

You play the part of a space marine who was stationed on a research station on the Martian moon, Phobos. Something went very wrong when the researchers opened an extradimensional portal. Now you're trapped far from home, grabbing guns and ammo to blast the demons. A one-man crusade, you shoot everything that moves--and, likewise, everything that moves tries to return the favor.

This was the game that launched the multiplayer craze on the PC, and the PlayStation version does its best to live up to Doom's reputation as the ultimate multiplayer deathmatch game. If you have two players, two PlayStations, and a link cable, you can enjoy some mad two-player mayhem.

A few words of caution: remember that Doom was the first wildly successful first-person shooter, and while its graphics were astounding for its era, it hasn't aged well. If you want the ! latest and greatest graphics, you'll be disappointed, but if y! ou're in to quality gaming and appreciate history, you'll still get a huge blast out of Doom. --John Cocking

Pros:

• Lots of mayhem
• Terror mounts as your ammo count drops

Cons:

• Older graphics
• Nothin' but violence
• Sluggish when compared to the PC version

Dan in Real Life

• Steve Carell (THE 40-YEAR-OLD VIRGIN, TV's THE OFFICE), Hollywood's leading funnyman, stars in the hilarious comedy that's bursting with charm -- a movie you'll watch again and again. Advice columnist Dan Burns (Carell) is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complica

n/aSteve Carell’s best film performance to date can be found in the fitfully engaging Dan In Real Life, where his long-suffering persona suits a character who lets his long-dormant hopes rise for a moment, only to be shot down again. Carell plays Dan Burns, a newspaper columnist who writes about family issues and relationships. As a widower with three growing girls to raise, however, the difference between Dan’s printed wisdom and his struggles with fatherhood and loneliness is often vast. He’s put to ! a severe test when he packs up the kids for a cabin holiday with his parents and siblings, then falls for the exotic, if elusive, Marie (Juliette Binoche) during a solo excursion to a bookstore. Stirred by a woman for the first time since his late wife, Dan is shocked to find that Marie is actually dating his brother Mitch (Dane Cook), and that she’ll be spending the vacation with him in the midst of his family. From that point, the script, co-written by director Peter Hedges (Pieces of April), pretty much becomes a parade of difficult circumstances under which both Dan and Marie have to keep their attraction to one another secret. Certain scenes work better than others, but there is an overall monotony to the movie that isn’t helped by a lack of onscreen chemistry between Binoche and Carell. Both actors are fine on their own terms, but whatever is supposed to be clicking between Marie and Dan isn’t compelling enough to make one truly care that they get togethe! r somehow. Still, this is a film with plenty of moments to lik! e, espec ially when Carell gets to broaden his previous range of emotions in a movie. --Tom Keogh

DICKIE ROBERTS: FORMER CHILD STAR ORIGINAL MOVIE POSTER

• 30X40 NEW UK QUAD
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

TV CHILD STAR OF THE '70S, DICKIE ROBERTS IS NOW 35 AND PARKING CARS. CRAVING TO REGAIN THE SPOTLIGHT, HE AUDITIONS FOR A ROLEOF A NORMAL GUY, BUT THE DIRECTOR QUICKLY SEES HE IS ANYTHING BUT NORMAL. DESPERATE TO WIN THE PART, DICKIE HIRES A FAMILY TO HELP HIM REPLAY HIS CHILDHOOD AND ASSUME THE IDENTITY OF A KID.David Spade embodies Dickie Roberts: Former Child Star with the snide, glib, and bored attitude for which he is loved by his fans. Dickie, whose mother abandoned him in his youth when his TV show was canceled, yearns to regain the spotlight. But he can't get a promising role because the director believes that Dickie isn't a real person; so, to find his real self, Dickie hires a family to give him! the childhood he never had. Dickie Roberts has some scattered laughs, but the writers have no better grasp of reality than Dickie himself; the "normal family" Dickie hires is as warm and glossy as any TV clan. A busload of real former child stars play exaggerated versions of themselves, but the result is more uncomfortable than satirical. However, if you want to see David Spade imitate a jet-ski, this is your movie. --Bret FetzerTV CHILD STAR OF THE '70S, DICKIE ROBERTS IS NOW 35 AND PARKING CARS. CRAVING TO REGAIN THE SPOTLIGHT, HE AUDITIONS FOR A ROLEOF A NORMAL GUY, BUT THE DIRECTOR QUICKLY SEES HE IS ANYTHING BUT NORMAL. DESPERATE TO WIN THE PART, DICKIE HIRES A FAMILY TO HELP HIM REPLAY HIS CHILDHOOD AND ASSUME THE IDENTITY OF A KID.David Spade embodies Dickie Roberts: Former Child Star with the snide, glib, and bored attitude for which he is loved by his fans. Dickie, whose mother abandoned him in his youth when his TV show was canceled, yearns t! o regain the spotlight. But he can't get a promising role beca! use the director believes that Dickie isn't a real person; so, to find his real self, Dickie hires a family to give him the childhood he never had. Dickie Roberts has some scattered laughs, but the writers have no better grasp of reality than Dickie himself; the "normal family" Dickie hires is as warm and glossy as any TV clan. A busload of real former child stars play exaggerated versions of themselves, but the result is more uncomfortable than satirical. However, if you want to see David Spade imitate a jet-ski, this is your movie. --Bret FetzerDavid Spade embodies Dickie Roberts: Former Child Star with the snide, glib, and bored attitude for which he is loved by his fans. Dickie, whose mother abandoned him in his youth when his TV show was canceled, yearns to regain the spotlight. But he can't get a promising role because the director believes that Dickie isn't a real person; so, to find his real self, Dickie hires a family to give him the childhood he never ! had. Dickie Roberts has some scattered laughs, but the writers have no better grasp of reality than Dickie himself; the "normal family" Dickie hires is as warm and glossy as any TV clan. A busload of real former child stars play exaggerated versions of themselves, but the result is more uncomfortable than satirical. However, if you want to see David Spade imitate a jet-ski, this is your movie. --Bret FetzerPRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Black Sheep (Unrated)

• An experiment in genetic engineering turns harmless sheep into blood-thirsty killers that terrorize a sprawling New Zealand farm. Format: DVD MOVIE Genre: HORROR Rating: NR Age: 796019805704 UPC: 796019805704 Manufacturer No: 80570

An experiment in genetic engineering turns harmless sheep into blood-thirsty killers that terrorize a sprawling New Zealand farm.A delirious mix of broad comedy and wall-to-wall splatter, the New Zealand feature Black Sheep makes a convincing case for sheep as the new modern horror icon. These sheep aren't the garden variety grass eaters, however; they're genetically altered sheep who develop a ravenous hunger for human flesh after an experimental fetus is accidentally unleashed on a sprawling ranch by a hapless environmentalist (Kiwi actor and broadcaster Oliver Driver). And to make matters worse, those bitten by the monster sheep transform into monstr! ous "were-sheep" (spectacularly absurd creations by the Weta Workshop). The resulting clash between man and sheep is soaked in gore, of course, but the violence is taken to such outlandish extremes that only the easily nauseated or terminally grumpy will find it offensive. Writer/director Jonathan King's debut feature juggles the gore and the gags (many of which gleefully tread the lowbrow path) with skill thanks to an energetic cast, especially Nathan Meister as the sheep-phobic hero and Danielle Mason as an animal rights crusader who discovers her inner carnivore. The unrated DVD includes commentary by King and Meister, a 30-minute making-of featurette which includes an interview with Richard Taylor of Weta on the film's elaborate creatures, a smattering of deleted scenes, blooper reel, and a half-minute visual joke titled "Early Morning" that was shot especially for the DVD release. -- Paul Gaita

Carhartt Men's Extremes Cold Weather Boot Sock,Navy,Large

• 67% Acrylic, 17% Wool, 8% Polyester, 7% Nylon, 1% Lycra Spandex
• Boot length
• Heavyweight
• Machine wash warm with like colors. tumble dry medium, remove promptly. do not iron. do not dry clean.
• Usa

Fully cushioned foot and lower leg for comfort and warmth. Non-terry vamp with breathing vents reduce bulk at ankle for comfort and breathability.

The Battle of Shaker Heights Movie Poster Print, 27x41

• Poster Title: The Battle of Shaker Heights
• Size: 27 x 41 inches

From executive producers Ben Affleck, Matt Damon, and producer Chris Moore, THE BATTLE OF SHAKER HEIGHTS is the uniquely funny and touching comedy at the center of HBO's highly entertaining series PROJECT GREENLIGHT. For troubled high school senior Kelly Ernswiler (Shia LaBeouf -- CHARLIE'S ANGELS: FULL THROTTLE, DISNEY'S HOLES), life is war -- or at least an incredible simulation. With all the difficulties in his real life, Kelly has found just one true escape: Losing himself in fantasy reenactments of World War II's epic battles. Then he strikes up an unlikely friendship with fellow reenactor, preppy Bart Bowland (Elden Henson -- DUMB AND DUMBERER), and Kelly's life is set to explode in ways he never expected! Also starring Amy Smart (ROAD TRIP) and Kathleen Quinlan (APOLLO 13) in a winning cast of Hollywood favorites -! - here's your chance to enjoy the final cut of the film millions watched come together in the second hit season of PROJECT GREENLIGHT.This perfectly pleasant, if minor, coming-of-age comedy-drama is the second feature released via the Miramax/HBO/Ben Affleck-Matt Damon TV program Project Greenlight. Series viewers watched Heights directors Kyle Rankin and Efram Potelle struggle to get their vision of screenwriter Erica Beeney's story past an intractable producer. If the process was not pretty, the final result--i.e., this film--has some nice things. Leading the list is rising star Shia LaBeouf (Holes) as likable, 17-year-old misfit Kelly Ernswiler, coasting through life and fascinated by simulated war games. He befriends a sweet but cynical preppie, Bart Bowland (Elden Hensen), whose sexy older sister, Tabby (Amy Smart), offers Kelly a glimpse of adult passions and heartache. The cast is strong, including Kathleen Quinlan and William Sadler as the Caulf! ield-esque hero's troubled parents. There are solid moments of! comedy and affecting, better-than-average drama. If Heights fails to ignite, at least it doesn't fail to move. --Tom KeoghThis perfectly pleasant, if minor, coming-of-age comedy-drama is the second feature released via the Miramax/HBO/Ben Affleck-Matt Damon TV program Project Greenlight. Series viewers watched Heights directors Kyle Rankin and Efram Potelle struggle to get their vision of screenwriter Erica Beeney's story past an intractable producer. If the process was not pretty, the final result--i.e., this film--has some nice things. Leading the list is rising star Shia LaBeouf (Holes) as likable, 17-year-old misfit Kelly Ernswiler, coasting through life and fascinated by simulated war games. He befriends a sweet but cynical preppie, Bart Bowland (Elden Hensen), whose sexy older sister, Tabby (Amy Smart), offers Kelly a glimpse of adult passions and heartache. The cast is strong, including Kathleen Quinlan and William Sadler as the Caulfield-e! sque hero's troubled parents. There are solid moments of comedy and affecting, better-than-average drama. If Heights fails to ignite, at least it doesn't fail to move. --Tom Keogh

Decorate your home or office with high quality posters. The Battle of Shaker Heights is that perfect piece that matches your style, interests, and budget.

Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but a! rrogant warrior whose reckless actions reignite an ancient war! . As a r esult, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is b! anished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle! royale The Avengers. --Andrew Wright