Cherry Blossom Decorative Vinyl Wall Art Sticker Decal

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• Make sure to order from Visionari for genuine product

CHERRY BLOSSOMS is a tender, emotionally intense and profoundly moving story of marital love. Only Trudi knows that her husband Rudi is suffering from a terminal illness. She decides not to tell him and convinces him to visit their family in Berlin. Then, suddenly, Trudi dies. Rudi is devastated but vows to make up for her lost life. And so he embarks on his last journey - to Tokyo - in the midst of the cherry blossom festival, a celebration of beauty, impermanence and new beginnings.World Best Quality Wall Art Decoration Point Sticker. Very Quick and Easy to Use. No paint, No tools, and No wallpaper paste necessary. Just peel and stick these wall decals to most any smooth surface. Great for Kids bedroom, bathroom, living room, or even your store. How to use: 1. Think where you want your sticker to be. A . Clean the surface so it's free of dirt, dust, oil. B . Dry well. 2. Sketch your design. A. You can cut out the shape and use any tape to temporarily affix pattern to your wall. 3. Take the image out from the transfer film. Rub it with soft cloth or plastic card from the center of the image with outward motion. If the image size is too big, lift the transfer film from top and attach little by little while peeling transfer film. 4. If you want to change place, lift the image carefully so it doesn't lengthen or torn. Some paint or wall papers may fall off due to condition of attached surface.

Barnyard: The Original Party Animals Movie (On Bikes, Original) Poster- 11x17 custom fit with RichAndFramous Black 17 inch Poster Hangers

• Poster Hanger framing is economical and attractive
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Move over, all you pretenders...here are the original party animals â€" the animated gang of Barnyard! This laugh-filled adventure stars Otis, a carefree cow who spends his days singing, dancing and playing tricks on humans...much to the dismay of his father, Ben. Wild, wacky and "udderly" hilarious, here’s a herd of animated pranksters that’ll keep you laughing out loud!When the farmer's back is turned, the animals party down in Barnyard. A young cow named Otis (voiced by Kevin James, The King of Qu! eens) loves to have fun at the farm's wild late-night hoe-downs, despite the disapproval of his father, Ben (Sam Elliott, Thank You for Smoking). When Ben dies defending the barnyard from marauding coyotes, Otis is chosen as the new leader--but responsibility sits uneasily on Otis' head and he fears he may not be able to protect his friends from the coyotes. Barnyard's design of the cows seems inspired by Gary Larson's The Far Side comics; though the style is simple, the characters are surprisingly expressive. From moment to moment, the movie is reasonably entertaining. The actors--including Courteney Cox, Danny Glover, and David Koechner (Anchorman) as a very menacing coyote--do solid voice work and there are plenty of amusing gags. But as Barnyard gallops towards its end, the combination of cliches (the story is a clumsy reworking of The Lion King), odd choices (the male cows have udders), and lackluster dialogue makes the mov! ie sag. --Bret FetzerMoo-ve over, all you pretenders â€! ¦ here a re the original party animals â€" the critters of Barnyard! This laugh-filled, tuneful animated adventure stars Otis (voiced by Kevin James), a carefree party cow. To the consternation of his respected father Ben (voiced by Sam Elliott), Otis is happy to spend his days singing, dancing and playing tricks on humans. But all good things must come to an end, and when Otis is suddenly forced into his father's position of responsibility, the animal antics multiply as he struggles to find the courage and talent to be a true leader. Wild, wacky and "udderly" hilarious, here’s a herd of animated pranksters that'll keep you laughing out loud!When the farmer's back is turned, the animals party down in Barnyard. A young cow named Otis (voiced by Kevin James, The King of Queens) loves to have fun at the farm's wild late-night hoe-downs, despite the disapproval of his father, Ben (Sam Elliott, Thank You for Smoking). When Ben dies defending the barnyard from ma! rauding coyotes, Otis is chosen as the new leader--but responsibility sits uneasily on Otis' head and he fears he may not be able to protect his friends from the coyotes. Barnyard's design of the cows seems inspired by Gary Larson's The Far Side comics; though the style is simple, the characters are surprisingly expressive. From moment to moment, the movie is reasonably entertaining. The actors--including Courteney Cox, Danny Glover, and David Koechner (Anchorman) as a very menacing coyote--do solid voice work and there are plenty of amusing gags. But as Barnyard gallops towards its end, the combination of cliches (the story is a clumsy reworking of The Lion King), odd choices (the male cows have udders), and lackluster dialogue makes the movie sag. --Bret FetzerWhen the farmer's away, all the animals play ... and sing, and dance. Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis ! (James), a carefree cow.

Jerry Seinfeld Live on Broadway: I'm Telling You for the Last Time

• DVD Details: Actors: Jerry Seinfeld, Michael Barryte, Grace Bustos, George Carlin, Alan King
• Directors: Marty Callner
• Format: Closed-captioned, Color, DVD, NTSC. Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.33:1; Number of discs: 1; Studio: HBO Home Video
• DVD Release Date: September 28, 1999; Run Time: 75 minutes

Jerry Seinfeld is a working stand-up comic again. COMEDIAN is a candidly revealing, intimately observed, and often very funny look at what it takes to be a comedian. On-stage, Jerry delivers his hilarious brand of observational humor. Off-stage, he struggles with difficult material, confronts self-doubt, revels in small successes, and accepts help and support from friends and colleagues, including Colin Quinn, Ray Romano, Chris Rock, Garry Shandling, Jay Leno, and Bill Cosby. COMEDIAN also discovers the sharp wit of rising young comic Orny A! dams -- outspoken, insecure, and fanatical about becoming the "next big thing." What emerge are two fascinating journeys by two contrasting personalities who have some surprising parallels.If you see Comedian expecting a concert film with Jerry Seinfeld, you'll be disappointed. But if you're looking for an incisive--almost surgical--examination of the psyche of a stand-up comedian, this is your movie. Comedian zigzags back and forth between the hugely successful Seinfeld, who's trying to get back to his stand-up roots by developing an entirely new act, and an unknown comic named Orny Adams, whose naked craving for success is almost painful to behold. Adams lays bare his ego to an embarrassing degree; Seinfeld is more subtle but just as revealing about the fears and anxieties that drive him to go back on stage. By following these two through comedy clubs, festivals, and spots on David Letterman's talk show, the documentary cunningly explores how jokes are put t! ogether, the in-the-trenches camaraderie (tinged with competit! ion) of stand-ups, and the sheer existential terror of trying to make people laugh. --Bret FetzerWant to be the last comic standing? You can! Learn how to think like a comedian and find the funny in everyday life.

For the last seven years Jay Arthur, a master practitioner in Neuro-Linguistic Programming (NLP) has been studying and reverse engineering how comedians think. With his co-author Karyn Ruth White, a standup comedian and professional speaker, they have refined the process and come up with the essential skills of how to think like a comedian.

In Your Seventh Sense you'll find a step-by-step guide to creating and developing humor. There are four main steps:

1. Prospecting for Humor: First learn to develop your comedy radar.
2. Mining the Humor - The next step involves creative lateral thinking. Comedians ask themselves: "What's this like?" "How are women like cars?" "How is dating like a laundromat?" Learning comedy is a great way to develop your creativit! y.
3. Refining the Humor - Next, comedians distill their thinking down into the traditional joke format: setup-punchline-punchword. "Take my wife please!"
4. Presenting Humor: Finally, determine what point of view, attitude, and character would be best for this particular joke. Are you mad, sad, or glad? Is it hard, weird, scary, or stupid? What do you do when you bomb?

This book also has detailed examples from actual workshops about how to develop a joke from start to finish. There is even a chapter about how to add humor to any speech; it's ideal for corporate executives or anyone who speaks to groups. Anyone can do it. It is up to you to decide how far you will take your comedy career...Maybe just to a backyard barbecue or all the way to a comedy club.Develop Your Sense of Humor
Want to decrease your stress and increase your fun? Learn how to think like a comedian. They do it all the time.

Ever notice how people respond to humorists, comedians! , and class clowns? People like to be near them don't they?
Do you ever marvel at a comedian's ability to take even our worst tragedies and turn them into something we can all laugh at?

And doesn't it feel good to laugh when you've been stressed out at work or at home?

Wouldn't it feel good to be able to do that even when times are tough?

Now you can!

For the last seven years, I have been using the science of Neuro-Linguistic Programming (NLP) to reverse engineer how comedians think. And I discovered a few simple secrets that separate the comic mind from yours or mine.

During that time, I've also had the good fortune to work with Karyn Ruth White, a standup comedian and speaker, with over 20 years experience. Together, Karyn and I have done comedy workshops to test out my findings.

Using her experience with comedy and my research into the comic mind, we've created a 192 page book to help you learn how to think like a comedian.

Wouldn't it be great t! o "channel" your favorite comedian when you're dealing with an especially difficult customer or family member? You can! There's an exercise I call: "Channelling Robin Williams" because I used Robin to help me deal with my teenaged step-daughter.

And, if you want to step up to becoming a standup comedian, you'll find a step-by-step guide to creating and developing humor. There are three main steps:

Prospecting for Humor
Mining the Humor
Refining the Humor
Develop Your Sense of Humor
Want to decrease your stress and increase your fun? Learn how to think like a comedian. They do it all the time.

Ever notice how people respond to humorists, comedians, and class clowns? People like to be near them don't they?

Do you ever marvel at a comedian's ability to take even our worst tragedies and turn them into something we can all laugh at?

And doesn't it feel good to laugh when you've been stressed out at work or at h! ome?

Wouldn't it feel good to be able to do that even ! when tim es are tough?

Now you can!

For the last seven years, I have been using the science of Neuro-Linguistic Programming (NLP) to reverse engineer how comedians think. And I discovered a few simple secrets that separate the comic mind from yours or mine.

During that time, I've also had the good fortune to work with Karyn Ruth White, a standup comedian and speaker, with over 20 years experience. Together, Karyn and I have done comedy workshops to test out my findings.

Using her experience with comedy and my research into the comic mind, we've created a 192 page book to help you learn how to think like a comedian.

Wouldn't it be great to "channel" your favorite comedian when you're dealing with an especially difficult customer or family member? You can! There's an exercise I call: "Channelling Robin Williams" because I used Robin to help me deal with my teenaged step-daughter.

And, if you want to step up to becoming a standup comedian,! you'll find a step-by-step guide to creating and developing humor. There are three main steps:

Prospecting for Humor
Mining the Humor
Refining the Humor
Readers who have both the ambition and the desire to get started on a career in comedy will find advice, information, and direction in this unusual new book. The authors--both successful standup comics--discuss the different forms of comedy and help readers determine which style of humor matches their personalities. An early chapter analyzes things that make people laugh, such as surprise, incongruity, embarrassment, and absurdity. Chapters that follow explain the fundamentals of comic writing and comic performance, and then go on to focus on comedy's different forms: standup performance, variety acts, musical comedy, sketch writing, sitcom writing, and print humor, which includes everything from cartoon art to comedy nonfiction books. A final chapter looks at comedy's business side--contacts, agents, v! enues, and the challenges of making a living at comedy. More t! han 300 illustrations.Studio: Uni Dist Corp (music) Release Date: 04/27/2010 Run time: 90 minutesThis volume presents seventeen of the funniest people of the 20th Century talking about how they make people laugh.

Each engaging interview was painstakingly elicited by the author, who spent years researching, collecting the material and recording these intimate one-on-one conversations.DVD Features:
Biographies
Interactive Menus
Interviews
Other:Audience Q&A
When Seinfeld wrapped up its ninth and final season in the spring of 1998, the popular show's namesake and cocreator decided to offer a symbolic gesture to his fans. Taped for HBO in August 1998, on the final date of Jerry Seinfeld's tour appearances at New York City's Broadhurst Theater, I'm Telling You for the Last Time presents the standup comedian's so-called "final" standup, or at least his final tour with the standup material that made him famous. The vi! deo opens with a great prologue in which Seinfeld's old material is literally laid to rest, with many of Seinfeld's comedy colleagues in attendance at the "funeral." (Jay Leno is there, but David Letterman is conspicuously absent, and while it's a bit self-congratulatory to show Seinfeld's fellow comedians fighting like vultures over his abandoned jokes, it's worth it just to see Garry Shandling pilfering from the catering table like a homeless intruder.)

Whether he's talking about airline flights, cab drivers, or memories of Halloween and an ill-fitting Superman costume, Seinfeld's observational humor is as timeless and sharp as the day he first performed it. Even the most familiar routines (such as the one about pharmacists with a superiority complex) are like old friends who still haven't overstayed their welcome. Seinfeld's delivery is polished to a shine--he's a consummate professional--and an impromptu Q&A with his appreciative audience demonstrates that he's equa! lly adept with a fast and witty comeback. This performance cer! tainly w ouldn't be the last we'd see of Jerry Seinfeld, but from the perspective of phenomenal fame and fortune, it's a fitting farewell to the classic "bits" that took him to the top. --Jeff Shannon

Devil's Diary

• In the hands of high school kids, even an innocent diary can cause trouble. But when a group of small-town teenagers finds the Devil s Diary, a book that embodies the evil of Satan by physically manifesting any evil thought that is written in it, all hell breaks loose. Unearthed after centuries of concealment, the Devil s Diary wreaks havoc and destruction on the high school students who found it,

Trapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all th! e makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-and-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detective Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brot! her Drew and Shyamalan, does an impressive job of keeping the ! action f luid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which doesn't elicit much hope for the rest of Shyamalan's Night Chronicles trilogy, of which this is the first entry. --Paul GaitaTrapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-and-! blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detective Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which do! esn't elicit much hope for the rest of Shyamalan's Night Ch! ronicles trilogy, of which this is the first entry. --Paul GaitaIncludes Devil Horns and Pitchfork Prop.In the hands of high school kids, even an innocent diary can cause trouble. But when a group of small-town teenagers finds the “Devil's Diary,” a book that embodies the evil of Satan by physically manifesting any evil thought that is written in it, all hell breaks loose. Unearthed after centuries of concealment, the Devil's Diary wreaks havoc and destruction on the high school students who found it, and their entire community. Can their town be saved from complete ruin?

Biography - Bugsy Siegel (A&E DVD Archives)

• He was handsome. He was glamorous. And in a world of ruthlessness and murder, he was the most vicious of them all. Benjamin Bugsy Siegel first made his mark as a hitman on the gang-run streets of Brooklyn. But his fame was secured in the sunshine of the West Coast, where his unique gangster-playboy persona made him a Hollywood legend. Journey to the heyday of the mob for the complete story of this

Warren Beatty and Annette Bening star in the incredible true story of Benjamin Bugsy Siegel, the playboy gangster who betrayed the Mob for love. A cold-blooded killer who dreamed of Hollywood stardom, a crazed patriot who plotted against Mussolini, and the brilliant visionary who carved Las Vegas out of the dry Nevada desert, Bugsy had it all. Until he fell for the one woman who wanted more. A critical masterpiece, BUGSY is a remarkable collaboration of Hollywood's best: director Barry Levinson, scr! eenwriter James Toback, and an all-star supporting cast that includes Harvey Keitel, Oscar®-winner Ben Kingsley (Best Actor, Gandhi,1982), Joe Mantegna, and Elliott Gould. But at the center of itall is the white-hot romance between Bugsy and the insatiable starlet, Virginia Hill.Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her ! own upwardly mobile agenda, Bugsy seems oblivious to threats w! hen he b egins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. ! --Jeff Shannon

Bugsy: Extended Cut special features

Anyone who's heard how intense (or perhaps the word is "torturous") it can be to make a film with Warren Beatty will be captivated by the behind-the-scenes extras on the Bugsy: Extended Cut DVD. The highlight is the chat among screenwriter James Toback, director Barry Levinson, and star and co-producer Beatty on how the project and the final film came to be. Tellingly, Beatty is sitting quite apart from the other two, though they're in a semi-circular banquette at Perino's in Los Angeles.

The conversation starts out slowly, with Toback, a genial blowhard, talking about losing the original script, but it picks up steam when the topic turns to the casting of the excellent actors in the film, including Sir Ben Kingsley and Elliott Gould, who also participate. And of course the most interesting off-screen component of the project--Beatty meeting his future wife, costar Annette Bening--is given a fun spotlight in the film. Levinson remembers that after meeting Bening for the first time, Beatty called him enthusiastically saying, "She's great, I love her, I'm going to marry her" ("you know, just a throwaway line," Levinson says, laughing), and Toback and Levin! son and Bening herself talk about the signs the two were slowly falling in love. It's as dishy as anything you're likely to see about the notoriously private Beatty, and well worth the investment.

Other extras include several deleted scenes that are now included in the film (and unlike many other "extended cut" releases, actually enhance the depth of the story). One is a harrowing scene in which Bugsy contemplates, and nearly commits, suicide, via Russian roulette. Another is an amusing screen test that Siegal takes, thinking his roguish charm will translate to the big screen. Though it takes Beatty's considerable talents to make that happen, the earnestness of Siegal's outsider character is touching in glimpses like this. --A.T. Hurley

Beyond Bugsy

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Other Gangsters films on Amazon.com

More Films staring Warren Beatty

See the true story

Stills from Bugsy (click for larger image)

Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, g! reater than his ability to stay alive while making those dream! s come t rue. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know! he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff ShannonAsian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everyt! hing from Some Like It Hot to The Godfather. Uni! quely, t hough, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).

Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. DalkinHe was handso! me. He was glamorous. And in a world of ruthlessness and murder, he was the most vicious of them all. Benjamin "Bugsy" Siegel first made his mark as a hitman on the gang-run streets of Brooklyn. But his fame was secured in the sunshine of the West Coast, where his unique gangster-playboy persona made him a Hollywood legend. Journey to the heyday of the mob for the complete story of this legendary gangster, from his stormy relationship with the beautiful Virginia Hill to his mysterious murder. See rare footage shows of the dapper mobster and exclusive interviews with acquaintances and enemies. Examine Siegel's greatest legacy the founding of Las Vegas in the barren Nevada desert and hear mob insiders reveal the details of his betrayal at the hands of his best friend. Take an up-close look at the mobster who lived his life at full-throttle the hitman Bugsy Siegel.

Aliens of the Deep

• Take a once-in-a-lifetime journey with Academy Award(R)-winning director James Cameron (Best Director, TITANIC, 1997) in ALIENS OF THE DEEP, and make contact with another world. This incredible underwater adventure gives you extraordinary glimpses of unbelievable creatures that live in an alien world in the deepest depths of the sea. Could these alien life forms be clues to life in outer space? It

Take a once-in-a-lifetime journey with Academy Award(R)-winning director James Cameron (Best Director, TITANIC, 1997) in ALIENS OF THE DEEP, and make contact with another world. This incredible underwater adventure gives you extraordinary glimpses of unbelievable creatures that live in an alien world in the deepest depths of the sea. Could these alien life forms be clues to life in outer space? It's an exciting exploration you'll not soon forget.~~(c)Buena Vista Home Entertainment, Inc. and Walden M! edia, LLC ~~James Cameron takes another foray into the depths with a new deep-sea documentary. Following the shipwreck of Ghosts of the Abyss, Cameron focuses his abundant energies on where life is not powered by sunlight. These implications are taken a bit further, thanks to some dandy effects, on how life may develop in the ice-covered waters of Jupiter's moons. Some of the newly seen creatures are truly amazing: a fish with feet, shrimp that can swim between boiling hot steam and icy currents. Plus there's a cute creature that looks like something from an animator's portfolio: an albino octopus with fins. Like Ghosts, this film is significantly different on DVD. Both were presented in IMAX 3-D but are only 2-D on DVD; however, also included are extended versions, doubling the original's 45-minute run time. The added footage gets you more in-depth coverage of the crew and the missions. Cameron is also an expert host, showing his enthusiasm for the project ("! I love this stuff!") while letting his younger scientist co-st! ars lead the way. (Ages 6 and older) --Doug Thomas

A Good Day to be Black & Sexy

• GOOD DAY TO BE BLACK & SEXY (DVD MOVIE)

This digital document is an article from Colorlines Magazine, published by Color Lines Magazine on March 1, 2009. The length of the article is 621 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Films.('Salt of this Sea', 'I Like It Like That', 'A Good Day to Be Black and Sexy')(Movie review)
Author: Roya Rastegar
Publication: Colorlines Magazine (Magazine/Journal)
Date: March 1, 2009
Publisher: Color Lines Magazine
Volume: 12 Issue: 2 Page: 28(1)

Article Type: Movie review

Distributed ! by Gale, a part of Cengage LearningA between-the-sheets perspective on black love and sexuality, shown through the interactions of several couples during a single day in Los Angeles.